HomeTechnologyPhotographyNew Limited Edition V-RAPTOR 8K VV DSMC3 Cinema Camera from RED

New Limited Edition V-RAPTOR 8K VV DSMC3 Cinema Camera from RED

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RED announces the new RED V-RAPTOR 8K DSMC3 cinema camera with a new V-RAPTOR 8K VV sensor.  

Key Features

  • 35.4MP Full-Frame, Rolling Shutter CMOS 
  • Lightweight & Compact DSMC3 Design 
  • Canon RF Lens & CFexpress Type-B Support 
  • Up to 8K120 17:9, 6K198 S35 & 4K240 17:9 
  • 17+ Stops of Dynamic Range 
  • DSCM3 7.0″ Touch Monitor 
  • Right-Side Assistant’s User Interface 
  • REDCODE Raw HQ, MQ & LQ Options 
  • USB Type-C & Dual 12G-SDI Ports

As the first of the DSMC3 platform, the V-RAPTOR features a compact form factor only slightly larger than the KOMODO, and it features a new multi-format V-RAPTOR 8K VV sensor that can natively capture in full frame as well as in 6K S35, 3K S16, VistaVision, and Anamorphic formats. This multi-format design allows you to utilize non-full-frame lenses in S35 mode, and the camera has built-in features to make internal adjustments to accommodate a wide range of lenses. The camera will be released initially in a V-RAPTOR 8K ST Starter Kit, which includes the camera in a limited-edition white finish with multiple accessories, and it will be released in a black finish at a later time. The camera fits easily into your production as an A/B camera in film production, for owner operators, or for content creators because of its versatility. 

New Limited Edition V-RAPTOR 8K VV DSMC3 Cinema Camera from RED

The new 35.4 MP V-RAPTOR VV CMOS sensor features phase-detection autofocus, a massive 17 stops of dynamic range, and high-speed frame rates over the GEMINI for even better low-light performance. The 40.96 x 21.60 CMOS sensor offers 8192 x 4320 resolution, 16-bit raw capture, reduced CMOS smear, and a new, fixed OLPF stack. Its high frame rate capability also allows for reduced rolling shutter artifacts with an extremely fast sensor read speed. The V-RAPTOR can capture up to 8K 17:9 aspect at 120 fps, 4K up to 240 fps, and 2K in 2:40:1 aspect at up to a whopping 600 fps.

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New Limited Edition V-RAPTOR 8K VV DSMC3 Cinema Camera from RED

The camera comes with a rugged, locking RF mount, which is similar to the mount on the KOMODO, allowing you to utilize fast RF lenses. It is also compatible with third-party lens mount adapters from KipperTie, Wooden Camera, or Canon, so you can use PL and EF-mount lenses with electronic control support. The camera records to a CFexpress 2.0 Type B card, which can record raw R3D and ProRes files to up to 800 MB/s. There are three main recording modes, including REDCODE HQ with up to 360 MB/s at high frame rates for high-end VFX usage, MQ for standard cinematic shooting up to 300 MB/s, and LQ mode that shoots up to 180 MB/s for standard web streaming applications and long takes.

New Limited Edition V-RAPTOR 8K VV DSMC3 Cinema Camera from RED
New Limited Edition V-RAPTOR 8K VV DSMC3 Cinema Camera from RED

One of the handy new features of the V-RAPTOR is the dedicated user display on the side of the camera with an intuitive interface designed for camera assistants who need to adjust settings such as LUTs, controls, presets, formats, and general configuration (not for video preview). It features user pages to save custom presets, and there are quick buttons beside the display so it’s easy to use in the dark. The camera also features improved heat management with two intake ports on the bottom, a top vent, and a super-quiet 60mm fan that utilizes a thermoelectric heat exchanger that helps you change environments quickly without the need to recalibrate blackshade.

New Limited Edition V-RAPTOR 8K VV DSMC3 Cinema Camera from RED

The V-RAPTOR has multiple built-in interfaces, including two 12G-SDI outputs, a 9-pin EXT port for a breakout box, a USB Type-C port, a top Pogo pin for monitor, and a 4-pin power input. A 5-pin ODU output on the side can be broken out to an XLR input adapter or with a third-party 3.5mm adapter cable for audio input. The camera is powered using either the included power adapter or its built-in V-mount battery plate that accepts Micro V-mount batteries, such as the REDVOLT MICRO-V battery. The camera also features wireless connectivity that provides live 1080p streaming, updated from 720p on the KOMODO, and it also allows wireless configuration from the RED smartphone app.

Multiple camera interfaces enable a wide range of accessories that are only compatible with the DSMC3 line (the RED Outrigger Handle is the only exception). RED partnered with SmallHD to create the DSMC3 RED TOUCH 7″ LCD screen, which will utilize the Pogo interface and allow camera control functions using custom monitor software. The V-RAPTOR Wing Grips are custom-designed for the V-RAPTOR, as is the high-speed RED/Angelbird 660GB CFexpress 2.0 Type-B card. The partnership between RED and Creative Solutions will be releasing a start/stop top handle, extension handle, baseplate, breakout box with genlock/TC/Control/run/stop, tactical top plate, production plate, quick-release platform, production grips, and a DSMC3 5-pin ODU connector to add 3-pin XLR inputs. CoreSWX and RED also teamed up to create the REDVOLT MICRO-V 98Wh V-mount battery pack, in a compact form factor that provides 12A output for the V-RAPTOR.

The initial release of the Special Edition Starter Kit will include the white V-RAPTOR ST camera, an AC power adapter, two REDVOLT MICRO-V batteries, a dual V-mount charger, a 660GB CFexpress 2.0 card, a CFexpress card reader, a 3′ EXT to timecode cable, the RED TOUCH 7″ LCD, and two V-RAPTOR wing grips. 

Julie Nguyen
Julie Nguyen

Julie is the founder of SNAP TASTE and a driving force in global storytelling, innovation, and creative leadership. A respected member of the Harvard Business Review Advisory Council, she also serves as a judge for the CES Innovation Awards (2024, 2025, and 2026), bringing her perspective to the intersections of business, culture, and breakthrough technologies.

Her immersive reporting has taken audiences behind the scenes of defining world moments, from the FIFA World Cup Qatar 2022 and Expo 2020 Dubai to CES, D23 Expo, and the Milano Monza Motor Show. Through her lens, global events become intimate, human stories.

An accomplished film critic and editorial voice, Julie has built a reputation for reviews that go beyond analysis, finding the heartbeat within the frame. Her work on National Geographic documentaries and other cinematic works speaks to audiences who believe that great storytelling has the power to shift perspectives and expand the world.

At the heart of everything Julie does is a belief that art, technology, and culture are not separate conversations. She has spent her career proving they never were.

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