HomeEntertainmentMoviesBehind the Production of STILLWATER from Academy Award-winning filmmaker Tom McCarthy

Behind the Production of STILLWATER from Academy Award-winning filmmaker Tom McCarthy

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From Academy Award-winning filmmaker Tom McCarthy (Spotlight) comes a drama about family, forgiveness and unconditional love.

Bill Baker (Academy Award-winner Matt Damon) is an unemployed oil rig roughneck from Oklahoma who has lived a hard life marred by drug and alcohol abuse.  Intent on making up for his past mistakes Bill makes periodic trips to Marseille, France, to visit his estranged daughter Allison (Academy Award-nominee Abigail Breslin), who is serving a nine-year prison sentence for the murder of her girlfriend, Lena, a crime she insists she did not commit.

Matt Damon stars as "Bill" in director Tom McCarthy’s STILLWATER, a Focus Features release.
Matt Damon stars as “Bill” in director Tom McCarthy’s STILLWATER, a Focus Features release. (Jessica Forde/Focus Features)

Allison seizes on a new tip that could exonerate her and presses Bill to engage their lawyer.  But when their lawyer rebuffs them, Bill takes matters into his own hands and makes it his personal mission to find the real culprit – a man Allison has identified as Akim.  Confronted with language barriers and cultural differences, Bill is outmatched until he strikes up an unlikely friendship with French theater actress Virginie (Camille Cottin) and her young daughter Maya (Lilou Siauvaud).

Camille Cottin (left) stars as "Virginie" and Matt Damon (right) stars as "Bill" in director Tom McCarthy’s STILLWATER, a Focus Features release.
Camille Cottin (left) stars as “Virginie” and Matt Damon (right) stars as “Bill” in director Tom McCarthy’s STILLWATER, a Focus Features release. (Jessica Forde/Focus Features)

As he combs the streets of Marseille searching for the proverbial needle in a haystack, Bill finds himself on an unexpected path, growing ever closer to Virginie and Maya.  It’s a journey of self-discovery and liberation from a life  that long seemed preordained.  Yet when his need to prove his daughter’s innocence collides with his commitment to Virginie and Maya, Bill is left with only difficult choices that only threaten to destroy his new life, but also his last shot at redemption.

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Writer-director Tom McCarthy was one of the many people who found himself fascinated by the details of the 2007 Amanda Knox case, an American student living in Italy, who was arrested and charged with the murder of her roommate.  She was convicted and sentenced to a lengthy prison term even though she maintained her innocence.  Coupling this case with his interest in the literary genre of Mediterranean Noir, he teamed with writer, Marcus Hinchey and began to write an original screenplay set in Marseille.

(L to R) Actor Matt Damon, actor Abigail Breslin and director Tom McCarthy on the set of STILLWATER, a Focus Features release.
(L to R) Actor Matt Damon, actor Abigail Breslin and director Tom McCarthy on the set of STILLWATER, a Focus Features release. (Jessica Forde/Focus Features)

STILLWATER was shot on location in Marseille, France, and locations in and surrounding Oklahoma City, Oklahoma, in August and September of 2019.  To achieved the look and feel McCarthy envisioned for the film, he collaborated hand-in-hand with cinematographer Masanobu Takayanagi, production designer Philip Messina and costume designer Karen Muller-Serreau.  “Stillwater is flat with a lot of space and stillness,”  McCarthy says.  “In contrast, Marseille is incredibly vibrant.  Part of the reason I love Marseille is the light – there’s a reason the south of France has attracted painters for centuries.  We wanted to capture that.”

To showcase the dramatic differences between the locales, McCarthy and Takayanagi created unique approaches for each of the two places, relying on more static camerawork for the scenes in the United States and using handheld photography in Marseille. “In Oklahoma, we’re on dollie and sticks, and he uses different lenses,” says the filmmaker.  “I wanted to feel the weight and stagnancy of Bill’s life in Oklahoma by shooting a certain way.  Then we get to Marseille, and I want to feel the energy of the handheld and the vibrancy of that city.  It speaks to the two worlds that we’re dealing with.”

One of STILLWATER’s most logistically complicated sequences took the film’s cast and crew to one of Marseille’s signature locations: the 67,000-capacity State Vélodrome, home to the beloved football club Olympique de Marseille, or OM.  For the sequence in which Bill takes Maya to a game – she is an enormous soccer fan – only to realize they’re seated near the elusive Akim, the production shot during a live match.  “Tom and I went to the stadium numerous times to plan the sequence,” says cinematographer Takayanagi.  “We filmed with multiple cameras to capture the atmosphere as much as possible.  Then, we filmed close-ups and some other shots on a day when the stadium was empty.”

While most of the film was shot in Marseille, the production also visited Oklahoma City and surrounding towns to shoot the scenes that took place there, including those that open the film.

Julie Nguyen
Julie Nguyen

Julie is the founder of SNAP TASTE and a driving force in global storytelling, innovation, and creative leadership. A respected member of the Harvard Business Review Advisory Council, she also serves as a judge for the CES Innovation Awards (2024, 2025, and 2026), bringing her perspective to the intersections of business, culture, and breakthrough technologies.

Her immersive reporting has taken audiences behind the scenes of defining world moments, from the FIFA World Cup Qatar 2022 and Expo 2020 Dubai to CES, D23 Expo, and the Milano Monza Motor Show. Through her lens, global events become intimate, human stories.

An accomplished film critic and editorial voice, Julie has built a reputation for reviews that go beyond analysis, finding the heartbeat within the frame. Her work on National Geographic documentaries and other cinematic works speaks to audiences who believe that great storytelling has the power to shift perspectives and expand the world.

Beyond her media brand, Julie serves as Group Executive Director and Strategic Architect, and is the custodian of a growing global group that spans flagship art studios and international offices across Asia. She is the connective tissue between vision and execution, setting the standard for brand integrity, shaping the visual identity of every corporate entity under her stewardship, and guiding the curriculum of flagship art departments. She builds the kinds of teams and systems that turn ambitious ideas into something the world can actually see and feel.

At the heart of everything Julie does is a belief that art, technology, and culture are not separate conversations. She has spent her career proving they never were.

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